Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Thursday, 3 February 2011

Untitled Narrative Exercise Pt. 2 (397)

Nothing intervened, so I continued yesterday's story.

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A biting pain in his wrists. That’s how Joseph knew he was awake—and not dead. They were bound behind him. He was upright in a chair, and from the smell of burlap he knew they had hooded him. He heard a scrape of a metal chair across concrete.

“Where is your friend?”

The voice came from the chair he’d heard. The sound of a file being dropped on a table. Pages turning.

“I know you’re awake. Please answer the question.”

Joseph tried to speak, but his throat was rusted shut.

“What’s that?”

“Water.” Joseph whisper-croaked.

“Water will be provided if you can satisfactorily answer my questions.”

Joseph swallowed to try and lubricate his throat. It didn’t work.

“Where is your friend?”

He started to answer, but his breath hitched in his chest. Tears stung his eyes. He swallowed again. “You killed him.”

Some papers shuffled.

“You fled with a man last night. Roger Weyland. We recovered you an hour after your departure. Where is Roger?

“His name was Roger?”

“Where is he?”

“He’s dead too.”

“Where is he?”

It was too much. “Why are you doing this?”

“Where is he?”

“I don’t understand what’s happening. We made a breakthrough-“

“Tell me where Roger is.”

“-in the lab. That’s a good thing-”

“Tell me where he is!”

The voice’s chair scraped the floor.

“-so why have we been brought here?”

With the hood on, Joseph was utterly unprepared for the blow to his temple. There was a flash behind his eyes like a strobe going off. Then he hit the concrete on his side, still bound to the chair. The voice was suddenly close to his ear.

“It doesn’t have to be this way. If you’ll answer my questions, we’ll draw this interview to a conclusion.”

His left side screamed from the uncushioned fall. His ears were ringing. There was blood in his mouth. He’d bit his tongue.

“Where is Roger Weyland?”

Joseph whispered, “he..he fell…into a ravine…off a cliff. We were running and it was dark and he…fell. Please may I have some water?”

The voice stood up. “We will check the ravine. If we find him, your situation will improve.” The implied threat—if they did not find him—hung in the air.

Joseph heard the file gathered off the desk. A door opened. Footsteps. The door closed. He was alone.

He started to cry.

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In many ways I feel like Joseph lying on my side, tied to that chair with the hood on. I need your feedback. Tell me if it sucks. And if it does, tell me why.

Thursday, 20 January 2011

438 Words on Habit Forming

Dear Reader Of This Blog (or mom),

I started here with the best of intentions. You can find them here. Looking at the date of the last post you can see how well that’s worked out for me.

Last night I went to hear John Patrick Shanley speak. I’ve heard him before. Here’s who he is, in case you don’t know. Whereas the first time I heard him speak was mythic and inspiring, last night was…mechanical. The audience was different, and so his answers were different. He talked more about the process, the business of art. And he talked about discipline.

Read his bio. It’s original, funny, outrageous and 100% true. Last night he picked up where his bio left off. He talked about what the Marine Corps did for him. Before the marines he got kicked out of every school he attended. After the marines he graduated valedictorian of his class at NYU.

He talked about his writing habit. I admire a lot of writers. They all have different processes. Different mediums. But they all share one thing in common. They have a writing habit. Stephen King sits down in the morning and doesn’t allow himself to leave his desk until he’s written 5000 words. Don Miller is committed to a new blog post every day. Damon Lindelof said the first million words he wrote were crap, but that he had to write them to get to the good words. John Shanley came out of the Marine Corps and set his alarm for 5 every morning. He would get up and sit at the typewriter for three hours. He said, “I didn’t have to write anything, but it was inevitably the quickest way to make the three hours pass.” Then he’d go for a three mile run. Then he’d start his day.

We make time for what’s important to us. Lately I’ve made time for Shannon’s burgeoning acting career, which is important. I’ve made time for exercise, which is also important. But I haven’t made any time for writing. I’ve instead allowed a lot of non-important things to creep in. I become terribly interested in them, but they aren’t important.

I paged through my blog and discovered a lot of writing I’m proud of, and a lot not so much. But I also saw that I rarely kept to my 500 word limit. I remember at the time saying “the idea is more important than the word count.” I believe that’s true, but I also didn’t stick to the premise, which is important.

So I’m going to take another whack at it. 500 or less. Every day.

Thursday, 11 March 2010

In the Intersection

Shannon looked at me yesterday when I got home and said, “why don’t you go write tomorrow night?”

This is huge.

Neil’s typical daily routine:

4am: alarm
4:30am-5:30am: exercise
5:30am-6:30am: shower/make coffee, smoothie, lunch. Kiss Shannon. Kiss the kids.
6:30am: leave for work.
7:30am-4:00pm: work
5pm: arrive home
5pm-8pm: dinner, being a dad
8pm-9:30pm: Shannon time (usually a movie or a tv show)
9:30pm: Bed

This merely to illustrate how much time I, who consider myself a writer, have to write. This isn’t a pity party. It’s just the way it is. I have a wife. I have kids. I have a job. I have a long commute. I have a doctor who tells me to exercise so I’ll live past 40.

Sure I have time at work to write. But at work I’m writing for work—AM show scripts, group leader segments, late nite games. Not anything for me. But again, that’s okay because it’s my job and I’m good at it.

So if I ever want to write anything for myself (or you, my five faithful readers), it’s at the expense of the above-mentioned commitments.

So when Shannon says, “why don’t you go write tomorrow night?” It’s a pretty big deal. I get excited.

But also nervous. Cause now there’s pressure to produce something in these precious, worth their weight in gold, five hours I have been gifted. I go somewhere reasonably cool with interesting things and people to look at (new and unexpected visuals cause creative stimulation). I make a playlist of dramatic/epic music. I sit down and hope to God something happens. I solve my Rubik’s Cube eight or nine times.

And lo, God answers the hopes and makes something happen. The second act of a screenplay I’ve been stuck on for eight months breaks. Three new blog topics pop out.

Everything happens in His time. I know that. I know He orchestrates events: things I’ve seen and read, Shannon’s subtle observation of when I need a night, a badly needed phone call. But I think we forget it. How else to explain the constant surprise at God showing up in our lives and making things happen? Be it the Red Sea or a plot point, I feel the rustle in my heart as the Pneuma moves to orchestrate events, and I am surprised. I am surprised that He hasn’t forgotten me, hasn’t abandoned me. And my surprise turns to gratefulness.

Later it might become guilt over my lack of faith. But tonight I’ve got my foot on the brake pedal, hanging out in this intersection of surprise and gratefulness. It’s clear to me that God and I meet here regularly in this intersection, where His plan is the road, what He does and who He made me to be are the colliding cars, and this keyboard the blinking traffic light.

Shannon says as long as there’s nothing else going on, there’s no reason this can’t be a regular event. Shannon rules.